Bassin' Rules Debunked!
We all learned it, but who taught the bass?
There
is a Dirty Harry flick where these motorcycle cops
were taking it upon themselves to kill off all the bad guys in
California. Son, they were pulling them over and doing them all
in! When Clint figured out they were doing it, he met up with
them and asked them, "What gives and why for?" Part of
their reckoning was that they had no other cops to look up to, no
judges or lawyers they respected, no heros, no champions, no good
role models whatsoever to follow...so they decided to do the
whole justice process from A to Z all by themselves. That's kind
of the same way I learned how to fish...no heros, no good guys
telling me what to do. So I took matters into my own hands (just
like these motorbike cops in the Dirty Harry flick) and I started
knocking off bad bass any which way but loose! In the process, I
probably used some pretty unorthodox tactics! Now, I continue
learning about bass, often by reading tons of 'zines...but when I
am out on the water? I just shut down my "thinker", and
I disregard everything I ever read in a magazine! I revert back
to doing things that get me bites without ever thinking if it is
"right" or "wrong" - a vigilante style basser
you might say! There are no rules for me, nobody out there for me
to watch or idolize...so I watch the bass. I observe THEM in
their environment. Sometimes they are skittish and spooky,
sometimes they are bold and aggressive. Who knows why and who
really cares? As long as I catch, right? The bass just let me
know what I need to do, and I do whatever I must do to suit them.
No questions asked, no answers expected. Kinda the same way we
deal with wives too, isn't it? Anyway, that's how I learned to
fish and to keep a wife, and I am sticking to it!
The universe is filled with mysteries,
many of which we will never comprehend. Wives are one of them. In
my opinion, bass fishing is one of these mysteries too! It's so
dang mysterious that many times I won't even bother to figure out
why bass are hitting a certain color of a certain lure in a
certain way. Sure, I would like to know why, and anglers always
try to come up with the correct answer why. Now, some of those
answers sound pretty reasonable. But the bass aren't talking! So
there is no first hand testimony to refute the angler's
speculation. That's all it is - ANGLER SPECULATION - most of the
time. If the bass could ever hear what we are saying about them,
I betcha some of our speculation is probably pretty wild and
pretty wrong!
I'm going to go against the grain here,
and a few other self-styled bass vigilantes are joining this
posse too. We're going to wage a war against so-called
"rules", and we'll preach you some "heresy against
hearsay". Who's on this posse? It's two guys, Dean Sault (NaCl)
and Andy Cuccia (Cooch), who hang their hats online at the
Northern California Bass Fishing forum. They invite you to drop
by there to meet them. Also, a grubby ole dawg named Al Pugh from
West Virginia hill country. Al can be found dippin' his line on
the River Smallies.com forum. Al, Dean, Andy, and I are all
members of Gary Yamamoto's Inside Line magazine.
That's where we are coming from. What hearsay are we going to
refute? Who are we gonna shoot down upon sight? The guys who are
always telling you that you need to make a silent, splashless
entry when you fish jigs. The guys who claim that a slower fall
is always better when you fish jigs. Whoever THEY are who say you
have to use THIS color on THIS lake. Any other "rules"
we can blatantly disregard in this article, trust me, we will!
It's all bull we say! This article
is controversial. We're advocating that baits are YOUR tools,
ways you put baits in front of fish are YOUR tactics. The
definition of FISHING is you use tools and tactics to elicit a
response from the fish. The definition of CATCHING is you then
repeat that over and over again, fine-tuning your tools and your
tactics a little better upon each repetition, thereby increasing
the ratio of responses to repetitions.
That's all there is to it. Define
your own rules as you go along. Revel in the mystery of it all,
but don't rack your brain trying to explain it all away every
time. You'll only take some of the fun out of it, and you'll
probably be wrong about it anyway. As long as you catch, right?
So here are some examples of some unorthodox things the posse
does to catch bass. It's not exactly what you usually read in
other articles or hear from other people...
Pitchin' loud ones... I pitch more
than I flip, which usually means the boat is 20 plus feet away
from the fish. That's far enough for me and the boat not to
bother them in my opinion. When it comes to pitching, I often
like for the "splashdown" on the very first cast to be
loud and dramatic...even startling you might say! If there are
tree trunks, thick limbs, emergent rocks, a bridge or canal
abutment, I aim dead at them and...WHACK..hit those solid objects
about two feet above the water like an Indian throwing a
tomahawk! Imagine it like you use a backboard in basketball to
bank a shot. If there are reeds or brush, I like that very first
pitch to get hung up a few inches above the waterline, giving me
an opportunity to rustle the reeds or brush, thereby getting the
attention of any big bass lurking in the vicinity. Where surface
weed beds are thick, I like to pitch my jig up onto the edge of
the weedbed, and then yank it, which plops my jig over the weed
edge and drops it into open water.
Now, that is all on the very first cast to
the best-looking "spot on a spot". On second, third,
and subsequent casts, I often tone down to a silent, splashless
entry. Point here you should remember is that the initial entry
is a definite factor that you should use to excite a fish. It is
often the most important factor in fishing jigs in cover, and
many anglers do not take advantage of the initial entry
"opportunity." It really gets the fish excited.
Flippin' SBDs... If I am flipping,
I sometimes get claustrophobia and feel I am too close to the
fish to startle them like this! Often times while flipping, I
pull right up to them, just hold the rod over the side of the
boat, and dip the bait into the water as quietly as if it was a
teabag in a china cup. I feel there is a fleeting "window of
opportunity" when you flip so close to a bass. I believe the
bass knows something (you in your boat) is there. I think there
are a delicate few seconds when you first "arrive" on a
spot whereby the bass - I guess in human terms - may not yet be
decided whether to be scared of you or not. So, I slowly and
silently dip my jig in and swish it all around...gives the bass a
little something else to interest him besides the big red boat.
So, make that first SBD (silent but deadly) swish count when
flippin'. You often don't get a second chance. No dramatic
splashdown for me there!
I really get out of hand... where
there is a thick surface canopy of grass you have to blast
through...the thicker the grass...the more weight you need to do
it. Sometimes I will cast a one ounce jig straight up 25 feet
into the air and let it come hurtling down like an aerial bomb to
get it to blast through the top "crust". Sometimes I
use a 1.5 ounce jig. What an explosion this makes! It often
doesn't get all the way through the grass either...but it does
embed itself down far enough so that you can start yanking on it
and working it the rest of the way through. Don't be surprised if
the grass swirls and opens like Moses parting the Red Sea while
you're still working at it! And if you do work it through, just
engage the reel and hold it motionless right under the
canopy...jiggle it...hold it still...then disengage the reel and
hand-feed an arm's length of line ever so slowly...engage &
hold it...jiggle it...hold it still....hand feed a few more feet
and stop...hold it, shake it, hold it...repeat this process all
the way to the bottom. This tactic is called "making
elevator stops" Expect to get bit when the elevator (your
jig) stops at any "floor." Keep a mental count of each
floor as you make stops. The fish will let you know at what
"floor number" they want to climb onto your elevator.
Of course it is often the first floor (right under the canopy) or
the last floor (right on bottom). But let's say you discover that
fish are consistently getting onto your elevator at the third
stop? Just drop your bombs, blast through the canopy and make
three slow, steady strips by hand to take your elevator jig
straight to the third floor. Even still, keep checking that very
first stop right under the canopy, mister elevator pilot man.
Apparently, the surface explosion of the bombing excites them.
I sometimes do this in thick log jams
and downed timber too If I am feeling kinda lucky, I take aim at
a log or tree trunk and pitch the jig on top of a log or jam. The
loud KNOCK ON WOOD of that heavy jig is a definite attractor in
my opinion. Then I kind of work it off the wood so it plops into
the water and...Whoosh! I can't tell you how many times the
surface of the water just opens up and explodes around that jig!
No whoosh? Then I let the line drape over whatever wood is there,
and I make elevator stops at each floor until bottom. Sometimes I
can reel a biting bass back out of the wood...sometimes, I have
to go into the woodpile to retrieve a stuck bass (or a stuck
jig)! Win some, lose some. It's all good to me!
What's
louder than a rattlebait? After all, this
"loud noise" theory is exactly what makes the rattling
lipless crankbait so great! I have used these in aluminum boats.
No matter how far you cast them, you can here that rattle noise
resonating in the bottom of the hull when it is still at the end
of a long cast. So here's a lure, the rattlebait, that is
intentionally designed to go against the "quiet" theory
we follow with jigs. I like to use rattlebaits over underwater
weed beds. Underneath the grass, bass will be positioned along
the unseen bottom contours and they will be using open cavernous
spaces beneath the weed mats to hunt for prey. From down below,
the bass will clearly hear the loud rattling sound of your
rattlebait overhead, and they will come barreling out of the
grass beds rather unpredictably to bust the lure. It is pretty
exciting stuff!
Another great application for a rattlebait is on shallow
flats. You usually want some wind coming right in directly at the
shoreline. The wind creates a certain steady "flow" of
bait and bass that can be found anywhere across the broad
expanses of these wind-swept flats. As an angler, it will be hard
to predict where the bass will be on such broad flats. And once
again, the loud rattling noise will call them in to you from a
distance like no other lure can. Rattlebaits are also good to use
on bare banks that break, either quickly or gradually, into
deeper water. There may only be isolated fish along bare banks.
Just keep the boat back and toss that lure up a few feet onto the
bank, rattling it all around but good while still on the land,
then hop it into the water with a splash, flap it around where it
lays on the bottom for a few seconds, and then burn it back away
from shore as fast as you can. The important part here is to give
it enough time (10-20 seconds) scratching and kicking around on
shore to attract the fish over to it. So if all this intentional
loudness works with rattlebaits, why not a splashy jig?
Chicken
scratchin' spinnerbaits. I do this shoreline
"chicken scratching" thing with spinnerbaits too! Try
pitching the spinnerbait up onto the bank or on top of rocks
emerging from the water. Activate the spinnerbait before it even
enters the water! Let it bang up a fuss and let the blade jangle
all around like cowboy spurs on Clint Eastwood's boots (Oops!
Wrong movie!). Anyway, the noisier the better. Then hop it into
the water and let it flutter down to the bottom. Fish will take
it as falls or lies there. Shake it around with the rod tip a
little, and let it sit a bit more before slow-rolling it away
from the shore. Again, it's that hen peckin' scratching that gets
them going before they even see the lure. Same thing when that
jig whacks wood or splashes down on initial entry...it gets them
coming over before they even see it!
What else can I blatantly disregard?
Oh yeah!...another general jig theory that I like to blatantly
disregard at times is the one that goes something like "use
the lightest jig head in order to get the slowest fall
rate." Now, I generally follow this "rule". I do
like to use light jig heads with a slow fall rate. Not just me, I
think the bass that I catch like 'em too most times. However, I
have been in too many boats where my slow fall was not producing
but the other guy's fast fall was! Especially in hot water,
slower is not always better on the descent. I've noticed
sometimes when the water is hot during the summer that bass
eagerly hit heavier than usual jigs as they are falling faster.
In cold water I have noticed just the opposite, that a fast
falling jig may discourage bass from attempting to pursue the
lure.
A quick comment about disregarding color. This
is Dean Sault (NaCl) from the Northern California Bass Fishing
forum. Last spring I fished a B.A.S.S. Federation event at
Oroville. The conventional wisdom was to throw a little pink worm
with a chartreuse tail called a spot spanker (really pissed off
the locals because I couldn't remember the name of that bait and
I kept calling it their "monkey spanker"!!) Anyway, I
reasoned that the locals had been pounding the bass with their
spot spankers for a while and enough fish had been caught and
released to cause "bite resistance" among some of the
better fish. Kinda like you keep innoculating people against the
flu, and the flu bug builds up a resistance to it. I played a
hunch that these Oroville spots were building up a resistance to
these monkey, I mean spot spankers. So, I changed up and threw
summer moss brown. Sure, THEY brought in lots of fish on their
spot spankin' worms. But I caught over 20 keepers and took 2nd
place....even busted off the winning fish. My point is that
sometimes it is actually better to go against the normal color
selection on lakes that get heavy fishing pressure.
More examples of noisy entries. I
fished with a friend at Shasta a few years back. He brought me
out and said, "NaCl, this lake is loaded with small spots
but I found some good largemouths suspended next to this bridge
piling." So, I carefully cast my jig close to the piling and
let it fall as tight to the piling as I could...no fish! He was
swinging his jig/pork way up in the air and letting it splash
noisily into the water a foot or two out from the piling. He'd
get most strikes right after the jig hit the water. After he was
up 5 bass to my zip, I finally swallowed my pride and asked him
what he thought was making such a big difference in our success
rates. He told me to look up...all I saw was the bottom of a
bridge with thousands of dirt nests of swallows. He said about a
week before, he watched as a couple baby swallows fell out of
their nests into the water. The bass blasted them right away.
Great, he thought, top water bite! He tried spooks, prop baits,
buzzbaits...then crank baits, weightless flukes and spinnerbaits
all without much success. Then, he made a lousy, high swinging
pitch with a jig and it splashed noisily into the water. He got
hammered. He repeated the trick and sure enough, that was the
ticket. His conclusion? Tthe noise and impact of the small bird
falling into the water caused the bass to strike.
Since then, I keep my eye open for such unusual opportunities.
I have noticed that in the California Delta when I cast a soft
plastic topwater frog a long distance into an open place in a
weed bed, it is not unusual to get an instant hit when the frog
plops noisily into the shallow water. So, I think there's a
definite time and place for noisy entries as well.
Interesting that you bring this up...
It's Andy Cuccia (Cooch) from the Northern California Bass
Fishing forum. Yer noise comment about plopping the frogs kinda
turned a light on for me...
As a guide, I take great pride, as I do in my writings and
conversations with folks, in teaching things that I know and do
to catch fish. And this is one topic that I have a completely
different viewpoint than most anglers, especially those who flip
and pitch as much as we do out west around the Delta and Clear
Lake. And I teach it to ALL my clients. For years, it was pounded
into our fishing minds that flippin' was developed to be used as
a stealthy, quiet approach to catching shallow fish in thick
cover. And under some conditions, or maybe many for most folks,
this may be true. But I truly believe that a bait plopping down
in the water is a more natural presentation, that a bass is used
to seeing often in his environment. I ain't never seen a frog,
lizard, varmit or bird, graciously and silently fall into the
water. A shallow feeding bass is an aggressive and opportunistic
feeding bass. He is on the alert and looking for a mouthful! You
plop something in the water, it's more likely to get that bass'
attention, especially in stained water where vision is at a
minimum. So this is something I teach folks, who are not
pro-efficient flippers and pitchers, or who are just learning,
experts too, when I take them out on Delta trips. It also helps
ease them, in their attempts to learn the quiet, easy
presentations, which IS needed at times, but so hard to learn and
be consistent at it. Don't worry 'bout the decibel level of the
plop...just concentrate on the other mechanics of the
presentation. Teach 'em to get the mechanics right, while in the
meantime, they are plopping that bait out there and catching
fish. Seems that humans will learn to develop some
confidence in the flippin'/pitching techniques when they are
catching fish! Heck, I'm a firm believer that while flippin' a
jig, I'm really tossin' a reaction bait, kinda like a crankbait
(you know, those other idiot baits). Keep on ploppin'!
I am not some modern day Daniel Boone or
Kit Carson - just Al Pugh from the West Virginia hills and from
the River Smallies.com forum. So there's the disclaimer right up
front. Awright then, since you guys mentioned it, let me speak up
too and try to draw some conclusions from what you all have said
so far. Sure I've seen the situation many times when I needed a
quiet entry. WHY? Because the bass needed it. Beyond that, we
don't really know squat about "why" when it comes to
bass, in my opinion. I hope we are learning all the time, and we
know more than we did a few years ago - but in all honesty, in my
opinion, we don't know enough of the total "why"
picture to fill a thimble with Granny's finger already in it.
One of the best things we can do INSTEAD of knowing
"why" is to OBSERVE our surroundings. When we venture
into the fish's realm - WE LEAVE OUR OWN. We leave behind the
magazines, the guys at the tackle shop, and everything ever said
or written about fish. WE ARE IN THEIR HOME NOW, like it or not.
Without communication with the fish, we will probably never
understand "why", but with careful, non-threatening and
non-intrusive OBSERVATION, we may learn enough to become part of
that world sufficiently to function in it.
That includes recognizing that these particular bass are used
to a loud "plop" under the bridge followed by a
struggling, sinking meal, while other bass are used to hiding
under the grass canopy listening for anything overhead and
grabbing whatever goes by. What we have to do is to be in tune
with the "real world." That's not in a book. It is out
there in the environment right there, right now, right where I am
casting. Biology is fairly common from place to place. Biology
tells the fish to be cautious at all times and to run in times of
real or perceived danger. No doubt, you or your lure can often be
scaring them. But an unthreatening thing plopping into the
environment - like Dean's plastic frog - that tells fish to be
curious and aggressive.
Thanks for the insight, guys... I
gotta go now, but if a vigilante movie motorcycle cop pulls you
over to the side on your way home from work tonight, you better
plop one of them big jigs right between his eyes before he has a
chance to off you! Just kidding. Please respect the law, they
deserve it.
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